Then, create a new Serial Node and by selecting the Qualifier eyedropper just key the flat sky. This tutorial will be also useful for those of you who are not quite familiar with using power windows, masking and editing in DaVinci Resolve 12 and Resolve 12.5 respectively.īefore you start isolating the flat sky in your video, you could optionally do a quick primary color correction if required. Now, whether you want to do either some basic chroma keying or tackle more advanced compositing tasks, Resolve 12.5 has got you covered. In the following tutorial, the VFX artist, digital media specialist and instructor Ben Brownlee, will show us how you can easily replace a cloudy or overcast sky in your footage inside of DaVinci Resolve in no time. The fully-functioned timeline setup along with the impressive number of powerful, editing features makes DaVinci Resolve 12.5 even more appealing option for aspiring filmmakers, content creators and video editors alike.
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